26th Cine Las Americas International Film Festival

Program

The Sepulveda family reunites to revive a cherished tradition in honor of their late grandfather. But as they come together, long-held secrets and simmering tensions threaten to unravel their close-knit bonds. The biggest revelation: matriarch Anselma's risky move to help her grandson Matias puts their family restaurant and livelihood at stake, forcing them all to reassess their roles within the family.

From the Colombian coast to New York City, CATAPUM is a powerful story of three women across three generations who discover strength in Bullerengue, an ancestral musical tradition, using it to resist, heal, and celebrate life. Their daily routines, the landscapes they inhabit, and the songs they carry reveal the depth of their experiences, interwoven with the cultural richness of Bullerengue. Themes such as oral tradition, race, community, immigration, and identity emerge within this context. As their individual stories unfold, they converge into a collective memory, offering a narrative of the Colombian armed conflict that honors the universal healing and reconciling power of music.

Celebrate a special section of the Festival showcasing works by filmmakers 19 years or younger. The works screened in this category are eligible for Jury and Audience Awards for Best “Emergencia” Youth Film.

GOD SAVE TEXAS is a documentary trilogy that takes viewers on a journey through one of the most controversial states in the union, guided by three directors, each with a unique and personal perspective. In episode 3, LA FRONTERA, Mexican-American filmmaker Iliana Sosa explores how Nepantla, a Nahuatl word for the concept of “in-between-ness”, characterizes her relationship to both her Mexican heritage and her hometown of El Paso, Texas, and how that unique hybridity allowed the city to come together and heal in the wake of a devastating 2019 mass shooting.

Writer producer Donick Cary (The Simpsons, Parks and Recreation, Have a Good Trip) has been a huge fan of the Washington D.C. pro football team since before he could walk. Passed down from his dad, he was excited to pass the tradition onto his kids. Donick never questioned the team name and or Native American logo until one day, while watching a game, his 9-year-old son, Otis, asked him if it was racist. When Otis suggests they ask Native Americans how they feel, it sends the two on a cross-country journey full of unexpected surprises. From the halls of Congress (Deb Haaland) to Pulitzer Prize finalist Tommy Orange; from the creator of the show Reservation Dogs (Sterlin Harjo) to real life reservation dogs (teens on the Pine Ridge rez), the film brings to light the stories and perspectives of Native Americans from all walks of life in the United States.

“Hecho en Tejas” is a series of films produced in Texas. The films are eligible for an Audience Award and a Jury Award presented in partnership with the Texas Archive of the Moving Image (TAMI).

In Colombia, a nation marred by profound racial and socio-economic disparities, a Black woman from a rural background challenges the status quo by launching a presidential campaign. Reappropriating the term “igualada,” Francia Márquez, catapults a movement to the upper echelons of power, by refusing to “know her place.” Fifteen years in the making, this documentary peels back the curtain on how unprecedented change can happen.

Alejandro is an experienced airline pilot. He loves his profession but is hiding a secret: a medical condition that would mean immediate retirement. Intelligence Service agents discover it and they start blackmailing him, demanding he take some mysterious bags on the Buenos Aires-Madrid route, no questions asked. Vigilant because of the enigmatic cargo he’s carrying, Alejandro is soon submerged in a universe of intrigue and corruption, placing him and his loved ones in danger, while he attempts to escape alive, no matter the price.

"A stunning tribute to the resilience of Native people and their way of life - SUGARCANE, the debut feature documentary from Julian Brave NoiseCat and Emily Kassie - is an epic cinematic portrait of a community during a moment of international reckoning. Set amidst a ground-breaking investigation into abuse and death at an Indian residential school, the film empowers participants to break cycles of intergenerational trauma by bearing witness to painful, long-ignored truths – and the love that endures within their families despite the revelation of genocide. In 2021, evidence of unmarked graves near an Indian residential school run by the Catholic Church in Canada sparked a national outcry about the forced separation, assimilation, and abuse many children experienced at this network of segregated boarding schools designed to slowly destroy the culture and social fabric of Indigenous communities. When Kassie- a journalist and filmmaker- asked her old friend and colleague, NoiseCat, to direct a film documenting the Williams Lake First Nation investigation of St Joseph’s Mission, she never imagined just how close this story was to his own family."

After a cartel gunman from a small Mexican town is murdered, Sujo, his beloved four-year-old son, is left an orphan and in danger. Sujo narrowly escapes death with the help of his aunt who raises him in the isolated countryside amidst hardship, poverty, and the constant peril associated with his identity. When he enters his teens a rebelliousness awakens in him, and like a rite of passage, he joins the local cartel. As a young man, Sujo attempts to make his life anew, away from the violence of his hometown. however, when his father’s legacy catches up with him, he will come face-to-face with what seems to be his destiny.

Amidst the redwood trees on the California-Oregon border sits one of the most infamous prisons in US history - Pelican Bay. For decades, it held mostly Black and Brown men alone in tiny cells for indefinite periods based on questionable evidence. Then one day in 2013, 30,000 prisoners went on hunger strike. THE STRIKE weaves together, thread-by-thread, a half century of personal and criminal justice history into a single, compelling narrative around the drama of the 2013 hunger strike to end indefinite isolation. Grounded in testimonies from the hunger strikers themselves, the film details how the protest was conceived from a whisper inside the halls of Pelican Bay to a colossal feat across California prisons. With unprecedented access to state prison officials and never-before-seen footage from inside Pelican Bay, THE STRIKE reveals the panic that gripped the highest echelons of state government.

Join us for screening and party at Nepantla. The works screened in this category are eligible for Jury and Audience Awards for Best Music Video.

The films are personal and each telling rich stories that will resonate with viewers. The works screened in this category are eligible for a Jury Award for Best Narrative Short.

The lively and intimately-crafted documentary Carlos immerses us in rock icon Carlos Santana’s life and musical trajectory. Filmmaker Rudy Valdez bolsters this personal narrative with pulsating, never-before-seen footage — guided by Santana himself, in his own words.