Nuestros días más felices

Our Happiest Days

genres:

Agatha (74) and Leonidas (36) maintain an absorbing mother-son relationship: Agatha never fell in love again and Leonidas does not dare to build a life outside the doors of the family home. One day, Agatha suddenly wakes up in the body of a little girl: as herself, but at the age of seven. The only possible solution after having cut off all ties with the outside world for fear of giving explanations, will be to call Elisa (38), Agatha's eldest daughter, who despite having become independent a long time ago, will return to the family home to repair wounds that remain open.

DIRECTOR(S)Sol Berruezo Pichon-Rivière

DIRECTOR(S) BIOGRAPHYSol Berruezo Pichon-Rivière (Buenos Aires, 02/19/1996) is a 25-year-old director and screenwriter from Argentina, gra- duated in Film Direction in the Universidad del Cine. “Mamá, mamá, mamá” is her first film, shot only by women: both in the crew and in the cast. Her debut film premiered at the Berlinale in 2020 in the Generation K Plus Competition, where it was awarded with the Special Mention of the Jury. She was also the youngest director of the 70th Berlinale. At the beginning of 2021, with the support of Biennale College Cinema she shot her second film with her producer Laura Mara Tablón: “Nuestros días más felices”. The film premiered in La Mostra Inter- nazionale d’Arte Cinematografica della Biennale di Venezia 78. She’s currently working on her third film “Love, sex and tears” and on a tv series.

PRODUCER(S)Laura Mara Tablón

SCREENWRITER(S)Sol Berruezo Pichon-Rivière & Laura Mara Tablón

CASTMatilde Creimer Chiabrando, Lide Uranga, Antonella Saldicco, Cristián Jensen and the special appearance of Claudio Martínez Bel

CINEMATOGRAPHERGustavo Schiaffino

EDITORLorena Moriconi

SOUNDMercedes Gaviria Jaramillo & Marcos Canosa