Program

Cosmographies is a hybrid film that draws from speculative fiction, observational and poetic documentary, Indigenous futurism and Indigiqueer perspectives. It interweaves stories of resistance and environmental justice against extractivism in the Atacama Desert, Chile, as an allegory for contemporary plans to colonise the Moon and Mars. Set across 2023 and 2051, it weaves parallel stories of Lickan Antay land and water defenders, engaged scientists and fishing communities in Atacama, with the story of Māori astrobiologist Xuě Noon who finds solace in Mars and slipstreams across spacetime with an urgent message.

Mariluz Canaquiri says her river is a more than a body of water, it’s a living being. Beneath the surface lies a world of spirits led by the Karuara, the ‘people of the river.’ The film’s stunning hand painted animations take viewers into this magical universe. Behind their playfulness, the Karuara are metaphysical ecologists who maintain the delicate balance of life. But contamination from oil spills threaten the spirits and their river. Mariluz files a lawsuit demanding her river be recognized as a legal person, with rights. In a world that puts a price tag on nature, this film reminds us of our sacred connection to water.

Las Muertes Más Bellas del Mundo/The Most Beautiful Deaths in the World tells the story of five artists whose families fled El Salvador’s civil war in the 1980’s, landed in the nation’s capital, and created art out of war.

In Ciudad Peronia, Guatemala, sisters Lesli and Lupe use art and performance to inspire local youth and heal deep wounds. After 41 girls are killed in a State-run ''Safe Home'' and the government refuses to act, they respond with a community comparsa — towering puppets, fire-breathing stilt walkers, and thundering drums. With brave vulnerability, they expose a system that permits violence against women while confronting their own survival. Their youth movement takes to the streets, reclaiming public space through joy and community care.

After being separated from their sacred stone for nearly a century, the Kaw (Kanza) Nation reunites with In ́zhújé waxóbe, a 28 ton quartzite boulder, marking a new era of accountability for the city of Lawrence, Kansas and healing for the Kaw people. This film documents the honorable cooperation between community and governmental stakeholders in Lawrence, Kansas and the Kaw people in rematriating In ́zhújé waxóbe. The film follows the events leading up to and culmination of the Red Rock’s relocation to Allegawaho Memorial Heritage Park in Council Grove, Kansas.

Twenty years after Mi vida dentro (2007), filmmaker Lucía Gajá revisits Rosa Estela Olvera's story. Vidas en la orilla portrays the flaws of the criminal justice system in the United States and the tragic consequences of a wrongful conviction. Two interconnected narratives revealed what Rosa Estela Olvera (My life inside, 2007) had to endure in prison for 18 years: a psychoemotional exploration of the loneliness of confinement; and the long and arduous legal battle to clear her name.