Despite the disturbance from the violinist downstairs, Ernesto attempts to call back his dead wife, Esperanza. The night, however, does not end as Ernesto would have hoped, when what should have been a romantic evening ends in heartbreak.

In the 1980s, at the height of the Cold War, a bloody civil war between the Soviet-friendly Sandinistas and U.S.-backed Contras ravaged Nicaragua. Despite the danger, thousands of Americans disobeyed White House warnings and descended upon the Central American nation, determined to lend their skills and labor to the social-democratic Sandinista cause. Using an eclectic mixture of rare archival footage, arresting still photography, and contemporary interviews, American/Sandinista tells the story of a small group of controversial U.S. engineers who partnered with local communities and went further than anyone expected, risking their lives in the process.

Bracero Stories explores the personal experiences of five former “guest workers” in the controversial US-Mexican government Bracero Program, which granted temporary work contracts to millions of Mexican laborers between 1942 and 1964. Their stories are interwoven and illustrated with archival materials, creating a composite narrative of the “bracero” experience. Interviews with other participants in the program assess its effectiveness—and its justness. These discussions mirror contemporary concerns about illegal immigration and the possible implementation of a new guest worker program. Ultimately, the film seeks to put a human face on the concept of foreign “guest worker.”

Nikki is a prostitute used to meeting unusual men in unusual situations. When she meets Devon, a high-ranking executive, she gets the impression he is a wealthy, secure man who has everything she needs. But a sinister game begins when she finds Susan, Devon’s ex-wife, locked down in his cellar and Devon’s twisted nature begins to emerge.

Children of the Amazon follows Brazilian filmmaker Denise Zmekhol to the heart of the Amazon rainforest, in search of the indigenous children she photographed 15 years before. The film invites the viewer to see through the eyes of these inspiring, remarkably resilient people, whose lives have been transformed by a road that was carved through their forest home by an outside world. Poetic and visually stunning, this film engages the senses and sympathies as global issues take on a profoundly human perspective.

Ever since Brian Marquez was murdered on a San Francisco street corner in 2005, his father, Luis, has been on a quest to find the killers that took his son. During the traditional Mexican holiday of Day of the Dead, Close to Home portrays a father that has yet to deal with the death of his son, and a daughter who longs to reconnect with the father she once had.

Crude tells the epic story of one of the largest and most controversial legal cases on the planet. An inside look at the infamous $27 billion “Amazon Chernobyl” case, Crude is a real-life, high stakes, legal drama set against the backdrop of the environmental movement, global politics, celebrity activism, human rights advocacy, the media, multinational corporate power, and rapidly disappearing indigenous cultures. Presenting a complex situation from multiple viewpoints, the film brings an important story of environmental peril and human suffering into focus.

What do you do if the day your first child is to be born is also the same day your father is to be executed? If you are twenty-six-year old Manny, you use your father's impending execution as an excuse to flee the daunting responsibility of fatherhood. There's only one problem: Manny lives in Monterrey, Mexico and his father sits in on death row in Texas. Against his wife's wishes, Manny embarks on an ill-planned quest to cross the border to see his father, hoping that the trip will buy him time and insight into his upcoming responsibility.

Using home movies and other media, Diário de Sintra documents director Paula Gaitán’s return to the Portuguese city of Sintra, to search for memories of her late husband, Brazilian cinema novo pioneer Glauber Rocha. Gaitán and Rocha lived exiled in Portugal in 1981 with their two children, Eryk and Ava, before his untimely death. The filmmaker’s layered experimental work creates an impression of the past through its rich accumulation of images, meditations, and reminiscences.

Ten year old Lizzy and Raúl live next door to each other in a duplex. Through the wall, Raúl hears Lizzy’s parents argue night after night as they head toward divorce, prompting him to try to find a way to help his friend escape her traumatic situation. This is a story about two children and their strength to overcome the common tragedies of everyday life.

Exiled In America is a film that explores immigration issues in the United States related to detention and deportation from the point of view of those most affected: children. Over 1.5 million immigrants have been deported since 1996—a policy that has torn families apart and led to human rights violations. Exiled In America tells the story of five siblings who struggle to live in America after their mother was deported to Mexico.

Jonathan French, a little white orphan boy, was adopted as a baby by his Mexican Nanny and Gardener in Beverly Hills. On his 10th birthday, he was miraculously blessed by the Virgin of Guadalupe with the gift of music. While Juan rises from the half-empty soccer bars and Mexican restaurants of East L.A. to international stardom, he changes for the worse, under the influence of a wanna-be Puerto Rican movie star and Cuban talent manager. And when the dark truth about his history is revealed, he must choose between the American-Mexican man he feels he is in his heart, and the 33 year-old bald white guy he sees in the mirror. This irreverant musical mockumentary finds the humor in one man’s search for ethnic identity against the backdrop of a celebrity obesessed culture.

The movie documents a cross-cultural conquest dance, La Danza de la Pluma, which evolved from Zapotec dance rituals in Oaxaca under the influence of the Spanish colonizers. It incorporates the struggle between Moctezuma and Cortez, Christianity and paganism, with several variations as to the ultimate victor. It has deep cultural significance and importance, with dancers committing themselves for a three-year period, and involves much ritual preparation and community involvement. The movie focuses on the dancers' motivations, their three-year commitment, the sacrifices involved, and how this ancient tradition has survived.

For over 50 years, the Kahnawake Mohawks of Quebec, Canada occupied a 10 square-block hub in the North Gowanus section of Brooklyn, which became known as Little Caughnawaga. The men, skilled ironworkers, came to New York in search of work and brought their wives, children and, often, extended family with them. Little Caughnawaga tells the personal story of Mohawk filmmaker Reaghan Tarbell from Kahnawake, Quebec, as she explores her roots and traces the connections of her family to the once legendary Mohawk community through the stories of the women who lived there.

Los ojos de Javier is a short narrative written and shot in two days for the Coalition of Texans with Disabilities. It tells the story of Javier, who wakes up one day to find that his eyes have walked out on him. They did not bother trying to explain the reasons why, they just packed up their stuff and left. The film deals in a light, comedic way with the serious issues of soul disability and loss of identity.

Luca is the story of Luca Prodan, a young Italian man educated in Great Britain caught in the frenzy of London’s punk rock scene in the late 1970s, who takes a leap of faith by traveling to Argentina during the military dictatorship just before the war in the Falkland Islands. Here he formed SUMO, a rock band that left its mark on three generations and that, still to this day, remains a legend and an inescapable reference for Latin American musicians.

Six months after Bob Mader passed away in 2005, his son, Austin filmmaker Berndt Mader, discovers his father’s camera loaded with a last roll of film. In an attempt to deal with his grief, Berndt decides to finish this final roll in the small Mexican village of Tlacotepec—a town his father had visited and photographed 40 years before. On his journey to this obscure Mexican village, Berndt is diverted to the country of Belize where his sister has run into legal trouble in her adoption of a Belizian baby. After this detour and other misadventures, Berndt finally makes it to the town in Mexico. There he discovers there are possible connections to the past and answers to the questions of his own memory.

A ten-year-old girl awakes alone in the middle of a ravaged and abandoned territory. She begins to wander around the contaminated land in search of food and people, but she discovers that she is caught in the middle of a war where military officials, patrolling the land covered in gas masks, execute people in horrible ways. The girl realizes that the only people who survive the mass executions show severe infections on their bodies so she finds her only company in other small children who share with her the recurrent dream of going to the ocean. In search of their common objective the group of children embarks on a journey to the ocean, crossing a city in ruins followed by the dangerous armed military.

On May 20th, 1997, the team leader of a four-man US Marine unit conducting a counter-narcotics mission near border-town of Redford, Texas shot and killed 18-year-old Esequiel Hernández, Jr. within sight of the Hernández home. It was the first time an American citizen had been killed on US soil by the military or National Guard since 1970. None of the marines was ever charged with a crime. Compelled by the current political climate on the US-Mexico Border, the marines agreed to be interviewed for the first time for The Ballad of Esequiel Hernández. The film contrasts their frustration and guilt at having killed one of the citizens they were pledged to protect, with the anger and grief of a family whose son died at the hands of their own military. Narrated by Texas’ own Tommy Lee Jones.

As part of its new policy to end the “catch and release” of undocumented immigrants, the U.S. government opened the T. Don Hutto Residential Center in May 2006 as a prototype family detention facility. The facility is a former medium-security prison in central Texas operated by the Corrections Corporation of America, the largest private prison operator in the country. The facility houses immigrant children and their parents from all over the world who are awaiting asylum hearings or deportation proceedings. As information about troubling conditions at the facility leaks out, three activist attorneys seek to investigate and address the issues.

This is the story of the Lipan Apache Tribe of Texas, a Native American tribe indigenous to the state. Though they have been present in Texas and the surrounding areas for hundreds of years, their story is hardly taught and their existence is not recognized. In October 2008, members of the Lipan Apache Tribe opened the first museum for the continuation and preservation of their culture. This documentary aims to bring awareness to one Native American group that has become endangered through centuries of oppression and assimilation. As Lipan Tom Castillo expressed, “Hopefully now we can tell our story. Without fear.”

The Other Side of Immigration examines the causes and effects of international migration from the perspective of rural Mexican communities where large numbers of people leave to work in the United States. The film explores how NAFTA, Mexican agricultural policies, and Mexican politics have stimulated emigration over the past two decades; the extent to which households in rural Mexico directly and indirectly depend on money that undocumented immigrants send home; and the effects of emigration on families and children left behind in rural Mexico.

Emmett Deemus, a semi-delusional 70 year-old Outlaw Biker wannabe has just helped a friend escape an assisted living facility when, in mid-flight, his motorcycle breaks down and neither has enough money to fix it. Seeing several motorcycles parked outside a suburban garage, Emmett stops to ask for help. When he discovers that a gang of young outlaw bikers are holding a voluptuous young lady captive inside, the “Outlaw Emmett Deemus” decides to single-handedly save her in order to collect the reward money, which would allow him to fix his cycle.

Set in a small mining town in Northern New Mexico, Things We Do For Love is a short film about how far one family is willing to go to show their love for one another. When Mom's brother dies unexpectedly he is buried in a town too far from home, so the family decides to go get him and bring him home. An unexpected complication during the trip home leads to a strange but touching solution.